In the three decades since his feature debut, 1992’s "Rebels of the Neon God," Tsai Ming-liang has turned into one of the most idiosyncratic and original directors working today. With their long takes and still compositions, his films stretch the limit of minimalism, and often exist in conversation with other art forms, from performance to conceptual art. Tsai’s cinema is a porous, transdisciplinary realm; nowhere is this more evident than in the director’s ongoing "Walker" series, of which the Berlinale is proud to unveil the tenth instalment, “Abiding Nowhere”, as well as a restoration of Tsai’s 2005 Berlinale-winning “The Wayward Cloud.” In this engaging panel, the director opens up about his craft, from his earliest projects to his more recent installations and VR experiments.